Mary Lou

Mary Lou

Sunday, May 4, 2014

Last Part

This amplifies the characteristics of people from the Beat Generation because they cared only for what satisfied them and their desires; whether it be friends, sex from multiple partners, or abuse of drugs which are attained by theft if needed be.
At this point, Sal feels as though he has lost his sense of direction and purpose and thinks "what I accomplished by coming to Frisco I don't know,” so he takes a bus back to New York. Sal is almost like a buffer between the Beat Generation and the elder. He has the mindset of the right handers yet the desires of the Beat. He knows he should maintain responsibility but at the same time, he wants to roam wild; but as Dean persists in taking him on these trips, he loses touch with anything sensible within him, turning him into a child of the “Beat” and taking away his conformity.
With the continuation of the story, free association writing breeds meaningful discourse and spiritual reflection as Dean communicates with those around him. Sal, who has been characterized as an outsider, finds utter confusion in these thought patterns yet admires the freedom of Dean’s mad mind. These speech patterns presented by Dean convey the free mentality and blissful thinking which the Beat generation aspired to achieve. By simply sitting there and allowing the words that run through their mind to fall off their lips, they are, in a crazed way, breaking the chains of strict conformity, and while seeming insane to others, are allowing their minds to roam in ways that older generations would have seen as unacceptable behavior. Of course, the use of psychotics or drug related substances aided in their ability to communicate in such mad and bizarre ways.
After some time of being away from Dean, Sal gets lonesome and depressed and can’t help but contact Dean for one more round of kicks. The two plan to go to Mexico City with others and this trip embodies everything the righters despise. Prostitutes, cannabis, liquor, partying, etc., are all abundant in Mexico City but was puts each Dean and Sal in their place is when Sal realizes that Dean was willing to give up any sense of a family for the wildness of “the road.” Dean is the extreme example of a “Beat” child. He is careless, free-spirited, doesn’t let anything tie him down, will not conform to what others wants, loves drugs, sex, and partying. He is the spirit of “The Beat” and what attracts people like Sal, Marylou, and Ed to join his mad ways. Although the idea of non-conformity and constant partying sounds excited, Dean didn’t end up too well in the end. He received divorce papers in New Mexico, went back to New York to marry Inez and then ended up leaving her and returning to Camille. Due to all the craziness he has put himself through and the constant movement he has done throughout the years, he is incapable of settling down and will find it difficult to stay in one place. When he tries to return to Sal, who has already established a life with a girl named Laura, he is left behind as Sal, Laura, and Remi Boncoeur drive to the Opera House. Sal had to say goodbye to his alter ego, although he never forgot him and Dean had to realize that his “Beat” ideals didn’t set him up in a good place.

                 

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